The Craft — Senegal

Six movements,
from hide to object.

Our pieces are developed and produced in Senegal, alongside artisans whose hands carry generations of knowledge. What follows is the slow grammar of the house.

The hide is chosen by hand.

I — Material

The hide is chosen by hand.

We source full-grain calfskin, croc-embossed leathers and hand-woven raffia. Every hide is inspected for grain, weight and tone before it ever reaches the cutting bench. Anything that does not pass is set aside.

The wave silhouette.

II — Pattern

The wave silhouette.

The signature Zaquia silhouette is a soft, sculpted wave — drawn from movement, dance and the curved lines found across West African form. Every pattern is refined at one-to-one scale before a single cut is made.

Two finishes, one tone.

III — Cut & Layer

Two finishes, one tone.

Many of our pieces pair two finishes of leather in a single colour — a textured flap layered over a smooth body. The result is depth: a bag that reads as one colour from across a room, and reveals its making up close.

Hand-stitched, by Senegalese artisans.

IV — Stitch

Hand-stitched, by Senegalese artisans.

Every seam is sewn by hand in our Senegal workshop. We work with artisans whose technical knowledge has been refined over decades — and whose work has been, for too long, invisible outside of their communities. Through Zaquia, that visibility starts to shift.

Cast, polished, set.

V — The ZM Crest

Cast, polished, set.

The ZM monogram is cast in metal, polished by hand and set into the flap of each signature piece. It is the closing gesture of the bag — the moment it becomes Zaquia.

Slow, intentional, lasting.

VI — Sustainability

Slow, intentional, lasting.

Sustainability, for us, is not only about materials. It is about slowing down. Smaller collections. Limited quantities. Quality craftsmanship. Pieces designed to last decades rather than seasons. And above all — valuing the people, the artisans, the manual work, the culture behind every object.